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An Observation and a Question

  • Jul. 10th, 2008 at 7:46 PM

So in yesterday's post I swore off flame wars and such.  Time will tell if I keep to my word.  But while I've sworn off these miserable wastes of time, I couldn't help thinking about them in a somewhat analytical light.  And I noticed some stuff.  Or at least I think I did.  I'm putting it out there to see if people agree, as well as what they think.

When it comes to the big debates in the speculative community on the internet, the ones that really get people's hackles up, is it my imagination or does it seem that lately many of the biggest ones have revolved around stuff going on in the short fiction community?  And doesn't it seem that it's often a fiction editor at the heart of the controversy?  Take a look at the last year or so and here's the stuff that comes to mind for me (note: I'm going to try to provide links with a wide range of views to keep this as impartial as possible):

1) Whether Gordon Van Gelder was reading women's submissions with an unfair bias for The Magazine of Fantasy & Science Fiction.  Here we have the publisher and senior editor of the one oldest and most respected print magazines in our field being called into question.

2) Not long after that came the much anticipated and updated article about whether there was gender bias among the major speculative magazines, which comes back to all the editors of these magazines.  There was much pre and post-discussion regarding this one.

3) I'll add that I've had a spat or two during this period regarding issues with short fiction, but I'm an assistant editor as opposed to an editor.  Also, I don't think my spats earned such widespead attention that they can be mentioned in the same e-breaths as these other examples.  Of course, if anyone would like to call me out on these matters (friend or foe or other) say so under comments and I'll dig up links.  I'm not going to pretend to be squeaky clean, but IMO these other examples really did draw greater attention. 

4)  Then last month we had the controversy surrounding Jonathan Strahan only having one woman appearing in the TOC of his anthology.  So we've moved away from magazines in this scenario, but we're still dealing with an editor of short speculative fiction. 

5) Even more recently (as in a couple of days ago) there was the controversy surrounding William Sanders, one of the co-editors of Helix Quarterly, when he used an offensive term in a rejection letter to a writer, and the writer posted said rejection online (and subsequently took it down).   As you might expect, this one isn't even close to winding down yet.  And this one deals with an online magazine.

6) And now we have the latest one.  It's not a raging controversy just yet, but given the above examples I wouldn't be surprised if it turns into one, so I've decided to mention it.   This one wonders if Gardner Dozois' rejection letters may have been less than savory because he focused on the legal implications of the William Sanders situation as opposed to the issues of bigotry.  As I said, not a raging controversy just yet, but I'm seeing signs that it might erupt into something more.  For the sake of completion, I'll note that this one targets the former fiction editor of Asimov's, and the editor of the last 25 editions of Year's Best Science Fiction, the current grandaddy among the speculative year's best anthologies.

So these are the examples I can think of off the top of my head.  Feel free to mention others if they occur to you.  I'm not commenting on any of them here, and I've tried to be as fair as possible in providing links to a wide range of opinions.  Tempest (she of link # 6) and I don't even get along, but I don't mind giving her this bump in traffic (though I strongly suspect her blog does more traffic than mine overall) because I'm rather curious about this topic.  So what do you think, folks?  Is there a pattern here that should make us expect more of the same to follow with unfortunate regularity, or am I grasping at straws?  And if there is a pattern, what do you make of editors being put under this constant microscope?  Is it fair and right, and how much (if it all) is the internet distorting information or leading to miscommunications?  The blogosphere is rather notorious for this sort of thing.

I realize that posting this sort of question and providing these links one on top of the next risks fanning a lot of flames, but hey, I'm the assistant editor at Realms of Fantasy.  This matters to me.  I'll ask people to keep things civil, though I worry this may not be a realistic request ...

Comments

melissajm wrote:
Jul. 11th, 2008 01:45 am (UTC)
This isn't an example, but #5 has had me pondering an etiquette question. What's proper manners regarding NICE editorial feedback? Some people have told me "Never respond to rejections." OTOH, sometimes I've gotten rejections with helpful feedback, and I've thanked the editor (this is usually when I've met/talked to the person before) and they've seemed glad that someone appreciated their extra effort. So is this courtesy, or a faux pas?

FWIW, I have yet to get a truly nasty rejection (out of ~500 submissions) I suspect most editors are decent people, and these things stand out by contrast.
douglascohen wrote:
Jul. 11th, 2008 01:48 am (UTC)
If an author takes the time to thank me for my comments in a rejection letter, I don't mind. I won't speak for other editors.
ellen_datlow wrote:
Jul. 11th, 2008 02:11 am (UTC)
I don't mind getting a thank you. I just don't want it to become a correspondence... (if it's by email). ;-)
chris_s_owens wrote:
Jul. 11th, 2008 02:44 am (UTC)
Oops. I never even considered whether it was considered a no-no to send a thanks for an editor's personalized feedback. I always believed that if someone provides a critique, no matter who they are, to respond with a thank you. Of course, the older I get, the more I find out I'm wrong. Just one more thing to keep me up at night...
(no subject) - gumboeditor - Jul. 11th, 2008 03:10 am (UTC)
jtglover wrote:
Jul. 11th, 2008 10:45 am (UTC)
That was basically what I thought as well for some time. Then I asked when the discussion came up at one point, and two editors said that they didn't think it was a good idea. This seemed in part to be an issue of the appearance of flattery/asskissery, part to be the matter of just one more e-mail to deal with. One editor did allow as how he didn't mind hearing in subsequent cover letters if his feedback on previous submissions helped an author to sell a work elsewhere.
jtglover wrote:
Jul. 11th, 2008 10:58 am (UTC)
(sorry, didn't finish) So you don't have a negative reaction personally? That's nice to hear. By nature I'm a thanks-sender, but I also don't want to appear unprofessional.
(no subject) - gumboeditor - Jul. 13th, 2008 01:28 am (UTC)
jtglover wrote:
Jul. 13th, 2008 10:26 am (UTC)
Not cold, just efficient. You're looking for something you can use, after all, not new pen pals.
melissajm wrote:
Jul. 11th, 2008 10:34 pm (UTC)
Subsequent cover letters sounds like a good idea. Thanks!
hkneale wrote:
Jul. 11th, 2008 02:01 am (UTC)
I keep an inconsistent eye on the various flamewars because, after all, this is the industry I tend to be published in the most.

I sometimes wonder if I should pay more attention, but then again, perhaps ignorance is bliss.

Like you, I tend to see a lot of accusations of "You're not publishing enough women".

If this is the case, the fault could occur at several points.

1. Editors are choosing more male-written stories because they prefer male-written stories. (Maybe one could be doing this, but a handful? I seriously doubt it.)

2. The slushpile contains a higher percentage of saleable stories written by male authors. Without seeing slushpile stats, I can't say for sure. Also, what makes a story "saleable" is also pure opinion, and again, comes back to the editor's preferences.

3. Women aren't submitting enough publishable quality stories. The supposition of this has, in the past, led to such activities like the August Slushbomb.

(Interesting thing regarding the Slushbombs. I vaguely recall a comment somewhere from GVG (or maybe JJA) that he was not terribly impressed with the quality of the stories.)

The quality of the stories in a slush pile, in the end, come back to the submitter (regardless of gender).


So when I see the various flamewars accusing editors of gender bias, I find it hard to truly believe whether or not there is a bias. I simply don't have enough information to make an accurate judgement.

Is an issue/anthology with fifteen men and two women a sign of gender bias on behalf of the editor, or is it reflective of the quality of the slush pile, and the editor is simply working with what he has available to him?

I'm not sure if anyone (not even the editors) could have an unbiased opinion in this.
douglascohen wrote:
Jul. 11th, 2008 02:10 am (UTC)
Thanks for sharing. The thing is, I've already been down the road of gender bias. I admit that the majority of these examples are just that, but now there are new elements in play, which is why I'm bringing it up. Now we have racism being mentioned (something I by no means endorse). And this issue of racism has led to speculations about the character of another editor. Everything just feels like it might be ...snowballing. So I want to know what other people think.
hkneale wrote:
Jul. 11th, 2008 02:52 am (UTC)
It's hard to tell whether something is a snowball or a flash-in-the-pan until after the fact.

I missed the fights where race was mentioned. I'll be more careful to miss more of them in the future.

How on earth does one tell the race of the writer from a submission? Or are some people just trying to find an excuse to be angry?
douglascohen wrote:
Jul. 11th, 2008 02:56 am (UTC)
That's not quite the situation in question. If you want to know more, read link # 5 and much will become clear ...or don't if you wish to avoid flame wars about racism in our genre. Up to you.
silviamg wrote:
Jul. 11th, 2008 02:59 am (UTC)
Umm...the fight was about an editor using very poor language in a rejection later, using a racial slur, etc.
hkneale wrote:
Jul. 12th, 2008 02:06 am (UTC)
Ah, right. Thanks.

So it's an issue of someone acting unprofessionally more than anything else.
silviamg wrote:
Jul. 12th, 2008 04:23 am (UTC)
Yep. I think that sums it up.
silviamg wrote:
Jul. 11th, 2008 02:56 am (UTC)
The pattern simply seems to be ease of communication. It is a lot easier to comment, post and talk about stuff on the Internet.

"What do you make of editors being put under this constant microscope?"

I don't mind it. As a consumer nowadays I put many more things under the microscope. 20 years ago many companies would not have bothered about appearing or being eco-friendly but now they might because they know the can risk a huge backlash if they don't. In Canada this week an enormous consumer backlash (due to their terrible rates) against the company launching the iPhone here prompted the cellphone carrier to lower its rates. Why? Consumer activism.

Consumers are a lot smarter and demanding. They are more aware of their rights and their power. And it's not just people saying "save the seals" and marching outside a fur store these days. You can mobilize a lot more people through the net.

So every market (including magazines) should be aware of this. This should also inspire them to have better and more transparent relationships with their consumers.
the_flea_king wrote:
Jul. 11th, 2008 03:18 am (UTC)
You forgot the Harlan Ellison/Connie Willis thing.

My thinking is, anybody who puts anything out there for consumption is going to be up for criticism. Editors, writers, musicians... the internet seems practically built on people sharing their opinions (whether you want to hear them or not). More often than not, their opinions are negative. For some reason, people who are displeased are more motivated to speak publicly than those who are not--not sure why. (to speak generally on the phenomenon).

Some people are definitely sensitive about issues of race and gender. I think they're very much justified in being so. The only way things get better is by people challenging injustice. Sometimes it's just a misunderstanding. Sometimes it's a correlation does not equal causation kind of thing. but I'd rather see people bring it up and challenge it, even if it's a misunderstanding, than not challenge these things at all.

I think we all, writers, editors, etc have to get used to the fact that what we say and what we do is completely open to criticism, often in ways we never dream of. We're under no obligation to listen/read any of it, but I don't think its existence is indicative of any general trend that hasn't existed long before I was born anyway.

silviamg wrote:
Jul. 11th, 2008 03:26 am (UTC)
Correct. And although none of us are the literary equivalent of Britney Spears it should not be surprising that we may draw attention to ourselves when we blog, post in forums, keep websites for the world to examine, and exchange messages with each other. If you don't want it in the 11 o'clock news don't send it through the Internet seems like a fair warning.

The Internet allows us to promote ourselves and connect with others. It also opens the doors to criticism and scrutiny from a wider audience.
leahbobet wrote:
Jul. 11th, 2008 04:23 am (UTC)
I realize that posting this sort of question and providing these links one on top of the next risks fanning a lot of flames,

Drop and give me 1000 words, man. :p
douglascohen wrote:
Jul. 11th, 2008 01:04 pm (UTC)
LOL! Only a thousand? That's like what, for link # 1? :)
leahbobet wrote:
Jul. 11th, 2008 01:10 pm (UTC)
Apply them and add penance as your conscience directs you.
vylar_kaftan wrote:
Jul. 11th, 2008 05:05 am (UTC)
I think it's a natural result of the Internet. Writers have been complaining about editors for centuries, but rarely had the power of commiseration, except perhaps with a correspondent or two. Now they can all share at once.

Similarly, people have been writing angry letters to companies for a long time. But now they can go to a website where everyone else will tell you how much that company sucks.

So I think that more of this will happen. I'm not an editor, but my take on it is that this resembles story critiques. If one person criticizes an editor's method of handling a situation, well, you can't please everyone. If everyone has the same criticism, or a cluster of related criticisms, the editor might want to consider carefully whether this criticism has merit.

(Adjust as necessary, of course; sometimes one person's criticism is very insightful. Or the editor is right and needs to stand up to the crowd for what s/he believes in.)
jtglover wrote:
Jul. 11th, 2008 11:13 am (UTC)
[i]s it my imagination or does it seem that lately many of the biggest ones have revolved around stuff going on in the short fiction community?

I don't think so, for a number of reasons. It seems like most people who support themselves primarily or wholly through writing are too busy to partake of flame-wars. Not universally true, but I see far more readers, neopros, and new-ish writers participating than Established Figures. Maybe this is just a factor of who spends more time online.

While I'm not always able to hold myself back (I'm trying to get better, really), I generally don't want to participate in these debates. This being the Internet, there's more than enough people who are going to represent my point of view. And, to be honest, most of them have a greater stake in it than me.

Debates happened on departmental listservs all the time in grad school, and they got vicious, petty, and political usually in the span of a few e-mails. And it was usually grad students involved -- professors either argued a subject in person over beers, or they got mileage out of it by publishing in a real venue. I'm not saying that short fiction writers are the "grad students" of writing, but so many authors start learning to write with short stories, then move on to novels, that it seems as if there's often some skew toward younger writers in short fiction (at least among we lowly sorts who make up the chattering classes).
rreugen wrote:
Jul. 11th, 2008 01:45 pm (UTC)
To me, it just looks like a big waste of time. After all, the people who talk about these things should use their time working in the fields they are competent. Writing speculative fiction, for example.
Maybe it's easier to just start crusades over everything, instead of actually trying to help your society by doing something you can handle.
dqg_neal wrote:
Jul. 11th, 2008 01:46 pm (UTC)
I think the bias issues are more subjective. That and if less people submit due to a perceived bias then there is less good material and tends to make it a self-fufilling situation.

The racial issue with the Helix were just wrong. Well not only wrong, but it was an unprofessional letter that went back to a writer.

But has there ever been a time when there wasn't some sort of controversy going on?
dqg_neal wrote:
Jul. 11th, 2008 02:22 pm (UTC)
Oh, and what about the controversy to do with Locus changing their voting structure mid-vote because the number of non-subscribers overwhelmed their readers in their last survey?
douglascohen wrote:
Jul. 11th, 2008 02:25 pm (UTC)
Which comes back to the choices of yet more editors in our industry, although this time of non-fiction.

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